4 August 2013Rear Window, released in 1954, is considered one of Hitchcock’s greatest films. Ultimately it’s left to the audience's imagination just how much influence Lisa Fremont’s overnight case may have had in convincing James Stewart’s Jeff Jeffries that she was the right woman to accompany him on his adventures. Hitchcock had a rather concrete opinion of how men and women fit into society in the 1950s, particularly as was represented in film. From the beginning, Hitchcock wanted to keep non-diegetic sounds to an absolute minimum in Rear Window. In the movie Rear Window, Hitchcock can build the suspense the audience feels by building the one felt by the character.

The one I chose is the scene in which the little dog is discovered dead. However, Jeff does not heed her warning here, and eventually, draws Stella into his new hobby as well.
A factor in its popularity may be the fusion of strong cinematic technique and a provocative, well-structured, fully developed plot-driven narrative. In the story of the film, Jeffrey’s spying of his neighborhood starts off as his private hobby, but it eventually becomes a shared experience with his fiancé, Lisa, and his nurse, Stella. In Alfred Hitchcock’s Rear Window, the protagonist Jeff’s love life is depicted to be complicated, yet intriguing issue in the development of the movie’s plot.Being described to have an affair with Lisa—the sophisticated, near perfect lady, he does not seem to intend to marry her because of his simply saying his being unready for that. Jefferies. Rear Window is yet another great example of how Hitchcock manages to influence and even manipulate his audience into believing and participating in his cinematic experience. Franz Waxman's score gets a little opening flourish but then disappears until the closing credits. Perhaps Rear Window doesn’t have an iconic scene in the way that North by Northwest and Psycho do, but it does have several scenes that are worth taking a closer look at. by HIMAWAN PRADIPTA. In Alfred Hitchcock's 'Rear Window', he is a temporarily wheelchair-bound man and his voyeuristic side appears later on in the film.

How Hitchcock Makes Voyeurs of the Audience in ‘Rear Window’ You’re not just watching a movie, you’re also watching yourself. ‘Rear Window’ encapsulates the rampant Mccarthyism, and subsequent suspicion, at the time of its release in 1954. Tweet Share Post Bookmark Subscribe Without criticizing or supporting these roles, Rear Window puts every gender stereotype in play in one neat package and offers them for observation on a platter. Jeffries is a high-class magazine photographer for what seems to be a worldwide publication. Through Stella's transition from naysayer to accomplice, Hitchcock shows us how easy it is to become focused on the outside world while ignoring our own problems. In Rear Window, the major theme is the idea of looking in on the happenings of others, which is the audience’s role when going to see a film or play. This is an important scene for many reasons. Rear Window: The thrilling narrative was originally penned as a short story, written by Cornell Woolrich in 1942; however, this particular tale… Perhaps Rear Window doesn’t have an iconic scene in the way that North by Northwest and Psycho do, but it does have several scenes that are worth taking a closer look at. This is an important scene for many reasons. “By sharing this voyeuristic activity with the audience, Rear Window shows Hitchcock’s view on voyeurism that it is a universal pleasure that all human beings pursue. One particularly important shot in the scene, beginning 00:02:36 into the film, tells the audience much of what it will need to know about Rear Window’s setting, characters, and themes. Naturally, the audience can relate to Jeffries easily as he looks in to the lives of others as we are, … The fear of Communist influence in the USA led to heightened political repression from the government, and Americans could only prove their loyalty to the country only by offering others’ names to the government. Rear Window is filmed in a manner similar to what could be described as the cinematic universe’s version of a first person voice. The Narrative Techniques Used by Hitchcock in Rear Window L.B.
The one I chose is the scene in which the little dog is discovered dead. I think that its target audience is primarily teens because if you take out all the horror in “Disturbia”, you would have a romantic teen comedy. Rear Window is a 1954 American Technicolor mystery thriller film directed by Alfred Hitchcock and written by John Michael Hayes based on Cornell Woolrich's 1942 short story "It Had to Be Murder". This way the audience feels like they are one with the character or are sharing something personal and intimate together. This creates an effect much like that of the story’s, but with more “intellectual and emotional resources” (McFarlane 16) needed from the audience to bring the narrative to life, as they are forced to try to adopt the viewpoint of L.B.


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